The Katanuki Borderline Front Cover

Lyric

The Katanuki Borderline

Akemi

深川の宵 提灯の列

あなたは金魚の 水槽の方へ

私は五十円 板の菓子を買い

縁台の隅に 浴衣で座る

このごろ話に 三度目の名前

会社の後輩の 明るい子の名

訊けば済むのか 済まないのかを

数えるかわりに 針を取った

桜の輪郭 浮いた薄板

際を攻めるほど 形は近い

問い詰めるのと 同じ手つきで

粉を散らして 掘り進めてく

花びらの先 あと一息で

パキッと真っ二つ 一枚目の板

ゴム紐眼鏡の 主人が笑う

「嬢ちゃん それは 攻めすぎだ」と

全部を出そうと 際まで掘れば

形ごと割れる ものがあるのね

二枚目の板 息を浅くして

際の手前で 針を置くのよ

残した細みを 指の腹で払う

ひとりでに抜ける 桜の形

「取れた?」と戻る あなたに見せて

景品の笛は 要らないと言う

帰りの夜道 桜は紙に

問いは手前の 位置のまま持つ

攻めない針の 置き場所ひとつ

祭りの砂糖が 指に残る

  • Lyricist

    Akemi

  • Composer

    Akemi

  • Producer

    nanayon music

  • Mixing Engineer

    nanayon music

  • Vocals

    Akemi

The Katanuki Borderline Front Cover

Listen to The Katanuki Borderline by Akemi

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  • ⚫︎

    The Katanuki Borderline

    Akemi

The Katanuki Borderline is a mid tempo city pop track set at a summer festival in Fukagawa, portraying the border between asking a question and letting it rest, drawn with the tip of a candy carving pin.
A row of lanterns in the evening, goldfish tanks he drifts toward, a thin candy board bought for fifty yen, and a bench corner where she sits in a yukata create an intimate festival scene where a name she has heard three times waits behind every stroke of the pin.

Performed by the fictional AI singer Akemi, the song captures the emotions of adulthood that learns some shapes shatter when one digs all the way to the rim, and decides to hold the question just short of the edge instead.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era lyrical subtlety through images of festival nights, street stall sweets, and the delicate negotiations of love.

The first board snaps in half from working the edge too hard, so on the second she keeps her breath shallow and lays the pin down before the rim.
The cherry shape slips free on its own, and on the walk home she carries the question in that same careful place, festival sugar still on her fingers.

Produced by nanayon music.

Artist Profile

  • Akemi

    A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.

    Artist page


    Akemiの他のリリース

nanayon music

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