

土曜の夜更け 三茶の部屋で
アームを引いて スイッチを入れる
手元にひとつ 光の輪
あとは暗いまま 置いておく
向かいの椅子は 光の縁で
背もたれだけが ぼんやり白い
大和の家でも 広い灯りは
つけないできた 手元だけで
ふいに明かりが 一度またたく
部屋がまるごと 闇に沈んで
また戻る光 息を止めたまま
誰も呼ばない この輪の中で
戻った光が 椅子まで伸びて
空いた座面を 白く撫でた
天井の紐に 手は伸ばさずに
この明るさだけ 選んで座る
電球の奥 じりりと灯り
熱を持つ傘に 指をかざす
広い夜には 背を向けたまま
この輪の温度を 抱いて過ごす
明かりはもう またたきもせず
部屋は静かに 闇を抱えて
傘を手前に 少しだけ寄せる
誰も呼ばずに 夜を閉じる
向かいの椅子は そのままにして
傘の首を折り 私だけ照らす
空いた席には 名前をつけず
まぶたの裏の 小さな灯り
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to Standlight in the Dusk by Akemi
Streaming / Download
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Standlight in the Dusk
Akemi
Standlight in the Dusk is a mid tempo city pop track that portrays a Saturday night with no phone calls, where solitude is not something to be filled but a space whose edges are chosen by hand.
An old apartment in Sangenjaya, a room with the ceiling light left off, a desk lamp pulled close, a single ring of light at the hands, and a chair left empty across the desk create a quiet scene where longing for someone not yet met sits beside the refusal to name it.
Performed by the fictional AI singer Akemi, the song captures the loneliness of adulthood that does not lament the dark, but decides how wide its own circle of light will be and lets an empty seat remain without a name.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era urban lyricism through images of city nights, a solitary room, and a small warm light held against the dark.
When the lamp flickers once and the whole room sinks into darkness before returning, the outline of the empty chair rises for a moment.
Even so, she does not reach for the ceiling cord; she bends the neck of the shade toward herself and closes her eyes over a seat she leaves unnamed.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



