Esc (EP01) Front Cover

Lyric

Autolife

Kei Hatori

しかし君は自由だ

驚くほど不純で

過ぎた日に

未だに期待を抱いてる

不自然に問いて

また1人で答えて

特に疑問に思わず生きて

無自覚に無駄に話して

自由だ

本物の幸せとは何か

人の温もりは何か

知るほど分からなかった

自分が誰でどんなものか

いかにも

君が誰かは分かってるんだ

なんで

なんで

なぜだろう怯えてるんだ

不透明な感覚に

陥っても大丈夫なように

鏡を見つめる

しかし君は自由だ

驚くほど不純で

過ぎた日に

未だに期待を抱いてる

不自然に問いて

また1人で答えて

特に疑問に思わず生きて

無自覚に無駄に話して

自由だ

こんなに輝いてるんだ

自在にいつでも人を動かせるのに

なんで悲しんでるの泣いてるの

優しさなんて忘れて騒げば良いんだ

間もなく終わりさ

言い残す事もないし

あなたが憎らしくて

心が圧っされていく

まだ不自然に歩いて

不思議と忘れて

特に疑問に思わず生きて

無自覚に無駄に話している

  • Lyricist

    Kei Hatori

  • Composer

    Kei Hatori

Esc (EP01) Front Cover

Listen to Autolife by Kei Hatori

Streaming / Download

  • 1

    Problems (Intro)

    Kei Hatori

  • 2

    The Moist Attack

    Kei Hatori

  • 3

    No Psychology

    Kei Hatori

  • 4

    Yukiteki Baitai (Interlude)

    Kei Hatori

  • 5

    Guilty Pleasure

    Kei Hatori

  • 6

    Make it Alright

    Kei Hatori

  • 7

    Withdraw the Proceedings

    Kei Hatori

  • 8

    R003

    Kei Hatori

  • 9

    Painful Convulsions

    Kei Hatori

  • ⚫︎

    Autolife

    Kei Hatori

The second solo EP by Kei Hatori, a songwriter and track maker born in 2002 with diverse musicality. This work was made about half a year after the last release. He self-taught songwriting and arrangement, and plays colorful pop music that incorporates sound programming and contemporary music. IDM "The Moist Attack" "R003" inspired by the post-rave sound of the 2000s. An advanced approach to his rhythm that can be seen in "No Psychology" that incorporates trip-hop techniques. And "Make it Alright" develops a dreamy pop sound that crosses glitchy hardcore hip-hop and noise music. "Withdraw the Proceedings" shows catchy songwriting like jazz in the 1950s, all of which show his greedy pursuit of composition and arrangement. In addition, the overly cynical poetry world of "Painful Convulsions" and "Autolife" is a surprisingly objective depiction of the distorted emotions of the younger generation. The self-produced activity, in which he handles engineering, video production, and artwork by himself, can be said to be the emergence of a rising star in the Japanese underground scene.

Artist Profile

The Artifacts

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