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This release took a year to make.
As always, this is for my own satisfaction, and I don't know if it will sell. The small details of the sound that I was able to create through my commitment and long research may not be so important to the listener.
There were many cases where songs made in a few days got high numbers.
Most of the time, works that I focused on the musical aspect of didn't get any numbers at all.
Isn't this the difficult side of being an artist? I've often heard that the value of painters increases after death.
I've been running a company for the past eight years, so I've dealt with this issue a lot.
I think management is a science. Efficiency, causality, and principles are important.
You need money to live in a capitalist world. Time is money.
Spending time on art may be inefficient from that perspective.
That's fine,
My original way of being is as an artist.
There is no causal relationship between money and the essence of art.
This work is art itself based on my aesthetics.
PS.
I finally finished it. I started this project about a year ago. To begin with, I never focused on sales figures or made songs with the aim of becoming a hit on this project. My style is jUs1iNoW3N SADNESS. (My electronic music style)
I prioritized the worldview first.
I gave form to the image in my head, but it wasn't completed. It didn't work out. The synth didn't go well with my heavy kick. I repeatedly researched with equalizers and many waveforms. I continued to feel underpowered.
But today, April 19th, 2025. It was finished. When I was bouncing it, I was full of dopamine and it was the best feeling.
Would I describe it as the greatest joy I've ever felt?
Justin Owen
Music Producer / RECORD LABEL OWNER / DJ (Formerly DJ UCHU 2018-2021) Music Genres / Tech House / 2kTECH / Minimal / Electronic [Biography] In 2018, he decided to challenge in the entertainment industry with his own company and and, debuted as a DJ. In just one year, he became an event organizer at a famous club in Tokyo. In 2021, he decided to change his focus as a DJ and music production, and founded 2k21 RECORDS ASIA, a record label specializing in nightclub EDM, which is popular in China, Korea, and Vietnam. After establishing 2k21 RECORDS ASIA, many songs including [EDEDM 2021ver] spread out through SoundCloud (music distribution service), and in 2022, signed a contract with TRIPPY CODE, a major German label, and became a prominent figure in the music industry. In 2023, in order to create more added value to the label's music content, he started a new project at WOMB TOKYO to make their new worldwide music genre [ASIA TECH], and DJ activities have played all over the country, and outside of Japan. He has been performing in Korea, Taiwan, and other Asian countries, and accumulated achievements in Asia. In 2024, his song [EDEDM VVIP] became a worldwide hit and reached the ALL PLATFORM 10,000,000 views. At the same time, his song [SHINITA] became a hit in China, and he was contacted by the record company (China) LONG MORNING and signed with them. He also released three albums with his own unique color and proposed Justin Owen's music style to the world. In 2025, he will establish 6 new labels under the record label 2k21 RECORD JAPAN, aiming to diversify his music contents.
2k21 RECORDS ASIA by 2k21 RECORD LABEL JAPAN