

窓際すっと差し込む光に夢をぬかしては
あの日にずっと思いはせてきたけど
去り際そっと放たれた言葉を抱いていたまま
近頃知ったそれは呪いというのだと
全て知りたい 全て知りたい
全て知りたい 全て知りたい
アイスクリーム また溶け出す月と波間に追いかけてても
最後には諦めるしかないのだとする
アイ スクリーム 叫びたい 夜のまにまにあたしがあたしで
いられる この桜に似た寂しさの舞う部屋の中で
名もない夜を二人でなんとなく過ごしてみてもなお
あふれる不安は綿菓子を洗うみたいに
憧れはきっと自分の闇との相対性で
近頃知ったそれは呪いというのだと
全てわからない 全てわからない
全てわからない 全てわからない
アイスクリーム ほら溶け出す罪とやるせなさの境界線で
最後には諦めるしかないのだと知る
アイ スクリーム 叫びたい 夜の隙間にあたしがあたしで
いられる この涙に似た塩水のこと
全て知りたい 全て知りたい
全てわからない
アイスクリーム また溶け出す月と波間を追いかけてても
最後には諦めるしかないのだと知る
アイ スクリーム 叫びたい 夜のまにまにあたしがあたしで
いられる この桜に似た寂しさの舞う部屋の中で
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to ice cream by sumi
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ice cream
sumi
夜のまにまに、月と波間に溶け落ちていく感情。
「アイ・スクリーム」と叫びたい場所で、
桜に似た花びらの舞う部屋の中で、
あたしがあたしでいられる一曲。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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