

魔法の言葉
目的はいらない
そのままで十分さ
そうして重ねた日々は光に満ちてく
その軌跡が未来(みち)を作る
おはよう baby good morning
おやすみ baby good night
いつもと同じ言葉を交わそう
ありがと baby thank you
ごめんね baby I’m sorry
想いやって伝えていこう
魔法の言葉
声に出せずとも
気持ちだけで良いのさ
そうして重ねた日々は光に満ちてく
その軌跡が未来(みち)を作る
ただいま baby I'm home
おかえり baby welcome back
いつもと同じ言葉を交わそう
さよなら baby goodbye
また会おう baby see you again
想いやって伝えていこう
- Lyricist
Keiichiro Akamine
- Composer
Keiichiro Akamine
- Producer
Keiichiro Akamine
- Recording Engineer
Keiichiro Akamine
- Mixing Engineer
Keiichiro Akamine
- Mastering Engineer
Keiichiro Akamine
- Vocals
Keiichiro Akamine
- Piano
Keiichiro Akamine

Listen to Greeting by Keiichiro Akamine
Streaming / Download
- 1
Opening
Keiichiro Akamine
- 2
I am a Realist?
Keiichiro Akamine
- 3
Wonder Night
Keiichiro Akamine
- 4
Japanese Nature
Keiichiro Akamine
- ⚫︎
Greeting
Keiichiro Akamine
- 6
Waltz of Greeting
Keiichiro Akamine
- 7
Childhood
Keiichiro Akamine
- 8
Sanshin and Okinawa (Vocal Version)
Keiichiro Akamine
- 9
Ryukyu
Keiichiro Akamine
- 10
Departure
Keiichiro Akamine
- 11
Voyage
Keiichiro Akamine
- 12
Ending
Keiichiro Akamine
I believe that this album, "Sound Spiritualism," was brought to me as a result of encounters with many people.
I became fascinated with music in my late teens, listening to it obsessively, digging deep into the music that formed my artistic roots. I then sang, picked up the guitar, and wrote songs. For the past 15 years, music has been a part of my life, like breathing.
My previous album, "THE ORIGIN," released in 2020, was a groping debut album, collecting songs I wrote from my late teens to around 20 years old, and challenging myself with every step of the process.
On the other hand, my newly produced second album, "Sound Spiritualism," is a collection of songs I wrote from my late teens to late twenties, this time produced with the support of those around me.
I hope you can feel the heat from the still-green embers.
"Sound Spiritualism" is pronounced "Otodama" in Japanese.
I chose this word with the implication that it's not a sound that enters the ears, but a sound that reaches the heart.
The album jacket was created by artist Miku Shimomoto. She wrote the character "Ondama" (sound spirit) in calligraphy on washi paper. The red smiley face under my name was a suggestion from Shimomoto, who said the idea came from my approach to craftsmanship, where I value connections with people and the process. The red cross mark opposite represents the gods and the ancient Japanese spirit, and I included it because such spiritual aspects are also a main theme of this album. We worked on the album from different locations, with me in Okinawa and Shimomoto in the Kanto region, and all communication was done online. However, through careful coordination, I feel the result is a truly beautiful jacket.
Until now, I haven't provided detailed explanations of the production of my works, known as Self Liner Notes, for each piece.
But if there are even a few people who want to know the creative process, I would like to write them here as a record of that, as an expression of gratitude for being able to release a work, and as part of the work, not just as text that catches the eye but also as text that reaches the heart.
There are stories behind the creation of each song, so I hope you will read them while enjoying the work.
Artist Profile
Keiichiro Akamine
The original song Sanshin & Okinawa, which uses the traditional Okinawan sanshin, has received a lot of attention and has been widely recognized mainly through BGM posted on SNS. Produced the image song Home for Umiiro Terrace Atami. Produced the theme song Grab the Victory ~ Chair Axis Method ~ . Produced JIKON SAUNA TOKYO's theme song JIKON. Produced the theme song for KOME de PAN, Four Happy Bread.
Keiichiro Akamineの他のリリース
Yanagida Records



