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Here is the English translation of the description:
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**"Tsuchi no Soko Goe" (Voices from the Depths of the Earth)**
This piece is a work of ritual music with a Shinto and animistic worldview - as if straining one's ears to the countless nameless voices breathing deep beneath the earth. Drawing on the resonance of ancient Japanese folk song (min'yō), kagura, and norito (Shinto incantations), it dissolves these traditions into the misty sonic space of ethereal ambient, drawing the listener down into the very "root of the world."
The lyrics sing of beings that hold no form and bear no name, existing only as a "presence." Voices sleeping in the depths of the soil; chains of life whose roots intertwine and stretch toward unreachable places; voices that flow in the threshold moment when one thing withers and another sprouts. A grand pantheistic vision unfolds in hushed classical Japanese: the eight million gods (yaoyorozu no kami) fill the land, and with no one to listen and no one to speak, the world itself simply lives on.
At its climax, the song declares, "Life is the seam between voices / Death, in turn, is the shifting of voices / Such a thing as 'an ending' / does not exist in the voice of the roots." Here arises a cyclical view of life and death, one that grasps them not as rupture but as a transformation of voice. The piece closes with the prayer, "O nameless voice / from the depths of the earth / even now, still / keep on resounding," quietly reminding listeners that they, too, are part of that endless chain of voices - a ceremonial and meditative offering.