COEXISTENCE Front Cover

COEXISTENCE

HIROFUMI KUROKAWA & OVAL SOUND ORCHESTRA

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Track List

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多様な音を交差させ、「共存」の響きを生み出すのは、サックス・
ヴァイオリン・ヴィオラ・チェロ・ピアノ・ダブルベース・ドラム
スで構成されるオーバル・サウンド・オーケストラ。
国際的な作曲コンペティションで高く評価されるコンポーザー率い
る音楽コレクティヴが、日常の断片にユーモアをにじませつつ、音
の円環を静かに広げ、隔たりを溶いていく。
── 現代ジャズの新たな地平へ

Past Rank In

Blue Flame

iTunes Store • Jazz TOP SONGS • Italy • TOP 52 • 22 Aug 2025

Yurakucho Triangle

iTunes Store • Jazz TOP SONGS • Italy • TOP 51 • 22 Aug 2025

SWANK

Apple Music • Jazz Top Songs • Uzbekistan • TOP 164 • 9 Sep 2025

Network Outage

iTunes Store • Jazz TOP SONGS • Italy • TOP 50 • 22 Aug 2025

Minor Blue

iTunes Store • Jazz TOP SONGS • Italy • TOP 49 • 22 Aug 2025 Apple Music • Jazz Top Songs • Botswana • TOP 143 • 21 Oct 2025

Sakura Sakura

iTunes Store • Jazz TOP SONGS • Italy • TOP 48 • 22 Aug 2025

Past Playlist In

SWANK

Apple Music • Jazz Scene: Japan • 29 Aug 2025

Minor Blue

Apple Music • Jazz Scene: Japan • 26 Sep 2025

Artist Profile

  • HIROFUMI KUROKAWA

    Hirofumi Kurokawa is a saxophonist and composer whose work bridges contemporary jazz and social narrative. After being awarded at the International Songwriting Competition, he was active in New York before returning to Japan, where he continues to perform and compose with a wide range of musicians across genres. His debut album BORDERLESS (2018), recorded in Brooklyn, received attention for its genre-defying sound. His follow-up UNCHANGING (2021) expanded the boundaries of jazz by integrating strings into a sophisticated compositional structure. His latest project explores themes of fragmentation, solitude, and coexistence, drawing sonic landscapes from everyday moments. Through both composition and improvisation, he weaves melody, rhythm, and harmony into structures that reflect not only musical innovation but also social resonance. Kurokawa's music has been featured in media including Yahoo! Japan, CDJournal, JAZZ JAPAN, and JAZZ LIFE.

    Artist page


    HIROFUMI KUROKAWAの他のリリース
  • OVAL SOUND ORCHESTRA

    Oval Sound Orchestra (OSO) is an ensemble that embodies the improvisational spirit of jazz and the architectural clarity of classical music--yet its scope extends beyond those traditions, flowing freely across genres. Transcending genre as a boundary, OSO engages with "music and people" through the lens of society, weaving diverse voices into a resonant oval of coexistence. This ethos echoes the work of Ryuichi Sakamoto, especially his late masterpiece async, in which sound became a material through which to question time, nature, and human connection. Like Sakamoto, OSO treats sonic fragments as reflections of everyday life--honoring the musical traditions they emerge from, while simultaneously seeking new methods that reimagine the relationship between sound and the world. Their approach also resonates with Esperanza Spalding, who explores spirituality and social thought through music unbound by form. In a similarly borderless spirit, OSO searches for resonance across difference--crafting sonic dialogues in a time marked by division. For OSO, sound is not just an expression, but a shared space--one that grows with the listener. Their vision extends beyond borders, inviting a widening circle of reflection, empathy, and sound.

    Artist page

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