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Last night, I couldn't bring myself to look him straight in the face.
My fingertips were the first to run away, my lips swallowed every word,
and only the sound of the door closing was left behind in the room.
Curled up on my bed, that moment kept playing on repeat.
The startled look in his eyes as he glanced at me,
the breath from his lips as they moved closer,
and right up to that final instant when I pushed him away.
A mix of embarrassment and regret flickered like a lantern,
filling the whole night with its unsteady light.
"I hope I don't have to see him tomorrow."
I whispered that to myself over and over,
burying my body deep under the blankets,
but my heart refused to move the way I told it to.

Yet the morning air was so clear, so transparent,
that my resolve to run away crumbled almost instantly.
With my hood pulled low as I walked to school,
I kept telling myself I should avoid him,
and still my eyes kept searching first for the places where he might be.
The moment his eyes recognized me from the far end of the hallway,
my heart made a sound more honest than any excuse I could have come up with.
Back in the café, sitting face to face again,
yesterday's shyness slowly melted away like steam,
and between the two lattes set just a little closer than before,
all those misaligned feelings began, carefully, to turn transparent.
"This time... I hope I'm not wrong."
That was all I could think.

The song *Bed Timing* was born straight out of that feeling.
A song that begins with the voices of boys and girls
who hesitate to love and are afraid of being loved.
On the warmth of jazz pop, we lay the gentle breath of lo-fi,
turning every restless, tossing-and-turning grain of emotion
directly into music - a pop song for winter.
From the regret rewound over and over on the bed,
to the sound of a heart shattering in a hallway where two people meet,
and even the small courage that melts into the steam of a warm latte -
the song stacks each of those tiny timings one on top of another and says:
even if last night was a mistake,
today you might be able to come just a little closer to your true feelings.

On a clear morning where the sunlight spills in
as if it, too, had slept in a little,
this song captures the moment when two people finally face
each other's warmth for real.

In the end, it is a story that catches the most delicate of points -
that breathless instant "just before love begins."
To everyone who trembles between wanting to run away
and wanting to reach out and hold on,
this song whispers very quietly:

Love is not carried by timing,
but continued by courage.

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Bed Timing

Spotify • New Music Everyday - tuneTracks (curated by TuneCore Japan)

Artist Profile

  • redraw

    A J-Pop duo, bound by music across the globe redraw is a duo formed by two people on opposite sides of the globe, connected through music. Producer dro and vocalist Rui make up this duo, sharing emotion across physical distance and time-zones - a new form of global music project that's drawing attention. They met via social media (X) in February 2024, and despite being in different countries, speaking different languages, and living in different environments, they became deeply connected through the one thing they shared: music. dro produces tracks in a university dorm in the U.S., while Rui records vocals in a small closet in Japan. The sound born from such a distant production environment symbolizes exactly the "sound of a generation transcending distance." Every track is produced at home using DTM. This is not mere home-recording - it represents the free creative spirit of the digital-native generation. Over a 13-hour time difference, they share ideas on Discord, arrange, refine, and polish their work. This remote-production structure is the very philosophy of redraw - valuing emotional connection over physical constraints. Their musical quality is also one of their greatest strengths. Mixing engineers such as Wave Yoo (IU, BLACKPINK Jennie), Ariel Chobaz (Lil Wayne, Nicki Minaj), and Adachi Yoshinori (Mrs. GREEN APPLE) have participated. Furthermore, mastering was done by Idania Valencia (Charli XCX 'brat' / Grammy winner) and Chris Gehringer (Dua Lipa, Lady Gaga). They have achieved world-class sound quality rarely seen in the indie scene. Without relying on outside management, they handle production, A&R, networking - everything themselves. They have an autonomous system and unfold their creativity strategically, which is another key feature. redraw's music is not simply "songs." The works are narrative projects based on novels and essays written by dro himself, and each track carries its own theme and message. Their series project "Midnight Therapy" links 7-8 songs into a single story. Music, visuals, and narrative are organically connected - this structure underscores redraw not as an "artist," but as a "team that creates stories." In July 2024 they released their debut single "Mint for Two". It charted in the iTunes J-POP charts in multiple countries, leaving a vivid impression. Since then, within about a year, they have released eight singles - each depicting a different worldview while maintaining a consistent aesthetic and high level of completion. In the latter half of 2025 they plan to step beyond online activity to roll out studio live footage and real-life performance content. While rooted in the uniqueness built as a remote band, they aim to embody "our generation's J-POP" on real stages. redraw believes in the power of music connected not by distance or time-zones, but by emotion and story. In an era where music transcends borders and languages, they stand at the center, continuing to sketch a new form of J-POP. " A global duo sharing emotion beyond space. " That is redraw. And the new musical map that we keep drawing. Members of redraw: Rui & dro

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    redrawの他のリリース

droduction studio