青写真描いて眠り続ける
夜の公園で象の目光る
Cūcāo de 乾いて
ザラついて 素敵なんです
遊覧飛行何も考えずに
人たちの笑顔が風に揺れて
Cūcāo de 乾いて
ザラついて 素敵なんです
回る移動遊園地
ぐるぐると血液は反射して
移動遊園地 狂ったように光が踊り続ける
Cūcāo de 移動遊園地
Cūcāo de Cūcāo de
- Lyricist
PALESS
- Composer
PALESS
- Producer
PALESS
- Recording Engineer
PALESS
- Mixing Engineer
PALESS
- Mastering Engineer
PALESS
- Guitar
PALESS
- Bass Guitar
PALESS
- Keyboards
PALESS
- Vocals
PALESS
- Rap
PALESS
- Piano
PALESS
- Songwriter
PALESS
Listen to Cūcāo de by PALESS
Streaming / Download
- 1
Sea song
PALESS
- 2
I can see ah anything else
PALESS
- 3
Atcrorks
PALESS
- 4
Sūho
PALESS
- 5
YUGE
PALESS
- ⚫︎
Cūcāo de
PALESS
- 7
Airplane
PALESS
- 8
Composer's song
PALESS
- 9
a stroll with an umbrella
PALESS
PALESS - 3rd Full Album "YUUKI"
PALESS's third full-length album YUUKI builds on the dreamlike atmosphere presented in their previous release SUNAHAMA, while introducing hints of a dry, American alternative sound alongside experimental and light-footed arrangements.
Created through a meticulous production process in a self-renovated home studio, the album showcases a significantly expanded sonic range and creative freedom, clearly marking an evolution in PALESS's sound.
All recording, mixing, and mastering were completed solely by the members of PALESS at their self-built studio, "I+V+U+C." This fully independent production approach captures the tension and interplay of the trio's individual personalities, resulting in a sound that feels both cohesive and dynamically charged.
Artist Profile
PALESS
Formed in 2009 by Ryohei Otsuki, the project is based in Tokyo and is currently centered on composing and releasing music from a self-built studio. In its early phase, the work was characterized by compositions structured around patchwork-like soundscapes created using programs within keyboards. These were combined with elements such as delay and effects-generated noise, as well as unconventional materials pastoral in tone yet modest (or even everyday) and slightly dissonant such as the sound of bells attached to tree branches or plastic umbrellas and set in motion, layered with vocals. This resulted in a genreless sonic identity and somewhat experimental staging. Through the total use of these elements, the group pursued a reinterpretation of the world as they perceived it, as well as an expression of the deeper layers of their own inner experiences. In works since 2020, while maintaining their experimental approach, they have also embraced more conventionally structured compositions. Alongside their introspective expression, a sense of sound that opens outward toward the external world has begun to emerge, further expanding the range of their expression.
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