Counting with a loosened tongue

In Yasuhiro Soda's work, what's important isn't the arrangement of sounds, but the process by which they are created.

Because the acoustics are determined simultaneously with the performance, the performer's physical choices are directly imprinted upon them.

The sounds, freed from homogenization through editing, are presented with fluctuations and biases, but this is precisely the core of this project.

The series of works, presented daily, function less as music and more as a record of a continuous practice.