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"Tuning to Hear" .
His search for the frequency that matches the music is another circuit, separate from the radio.
It seems to be a process of contacting the inner circuit deep inside his mind and maintaining mental balance.
He listens to music with the sound of rain in the background.
And also hear the sound of rain against the background of music. The motif of "Raining to Hear" was created and released in 2020.
"Tuning to Hear" is a spin-off of "Raining to Hear".
The rain-like, rippling noise layered over the piano music is the tuning noise of a shortwave radio.
Iwamura Ryuta uses a shortwave radio as a "noise generator" in this work.
The only physical release is a cassette tape.
The work is completed through the listener's profoundly eccentric act of listening to the tuning noises coming from the boom box.
Various variations of tuning noises are created by randomly turning the radio's selection dial.
The noise is not unique to each frequency and is not reproducible.
It may be described as a "tone" that is generated by chance, due to a complex combination of weather conditions such as rainfall, snowfall, and wind, time of day, antenna direction, indoor noise sources, and distance between the body and the radio.
The design was created by Noritake, who has worked on many of Iwamura Ryuta's works.
Born in Niigata City, currently resides in Tokyo. Composer and pianist. A collection of 24 dimensional piano pieces consisting of musical fragments, "Sunday Impression" and "Monday Impression" "Reading to Hear" a solo piano album paradoxically titled from "reading" to "listening". "Tokyo Reminder" takes a film music approach. "City" is a collage of urban noise & music. Raining to Hear" explores the boundaries between rain sounds and music. "Symphony" incorporates the actions of everyday life into music, with toy instruments at its core. These works constantly question the nature of music and the way we listen to music.
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