Kii: Two Intersecting Sanctuaries Front Cover

Lyric

Kii Psalms Chapter 1

Yoichi Ebihara

南紀の白き浜

円弧の浜に

潮風に髪がなびき

ひとり白き砂を掬う

我はまたこの白き浜に来たり

そなたに会えずとも

いつまでも清らかで美しきかな

南紀の美しき白き海

陽光の温もりとともに

眩い白き浜をゆく

紀伊の凪の海に

静かに煌めく月の光

舞台の終演後に

眩い灯りに照り映える

一粒の尊い涙の宝石に想いをよせて

はるか水平線の彼方まで

木管の凪のメロディを紡ぎ

朝に穢れなき一筋の陽光を得て

我も光と共に歩むる

母なる大河

朗々と流れる紀ノ川に沿い

母なる大地の田園風景を行く

秋の晴れた日に

紀伊の田園風景のなびく稲穂が

霧雨が降る日には

遥かなる田園が幻想的に靄り

紀伊の杜の山の精霊が見えるかな

どこまでも尊く清々しい大地と稲穂

美しきかな紀伊の大地

母なる大地、山、川、空に抱かれて

田園風景を歩き続ける

素晴らしきかな

紀伊の田園風景

神と精霊の杜を行かん

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Kii: Two Intersecting Sanctuaries Front Cover

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    Kii Psalms Chapter 1

    Yoichi Ebihara

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    Kii Psalms Chapter 2

    Yoichi Ebihara

Title: Summary of "Kii: Two Intersecting Sanctuaries"
In summarizing Chapters One and Two of "The Psalms of Kii," what struck me most profoundly was that both journeys ultimately culminated in a sanctuary (sacred ground).
Using the Shirahama region as a midpoint, the ancient and historic land of Kii offers two distinct paths: one heading north toward the inner sea, and the other heading south toward the open ocean. Though the scenery changes along each route, the final destinations reached are Mount Koya to the north, and the Nachi Falls and Kumano Sanzan (the three grand shrines of Kumano) to the south.
Note: The term "Sanctuary" refers to sacred grounds and holy places, such as Shinto shrines and Buddhist temples. It is a phrase used here to describe the sacred sites of the Kii Mountain Range, which are also famous as a World Heritage site (including Kumano Sanzan and Mount Koya).
If this collection of lyrics has managed to capture and preserve even a fraction of the impression left by the ancient dignity of these two intersecting sanctuaries, then this endeavor can truly be said to have held meaning.
Concluded. (Written by Yoichi Ebihara on June 9, 2026, in my home study)

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