The rice ears are singing in the Northern Alps (Live works 2025 Steinway salon Osaka) Front Cover

The rice ears are singing in the Northern Alps (Live works 2025 Steinway salon Osaka)

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  • The rice ears are singing in the Northern Alps (Live works 2025 Steinway salon Osaka) Front Cover

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One summer I spent a week in Azumino, Nagano. Surrounded on all sides by the Northern Alps, I took a walk every morning along the paths between rice fields where ripening ears swayed as far as the eye could see. A cool breeze gently embraced the growing grain, and the stalks rustled softly, playing the music of the countryside. Deeply moved by this scene-human wisdom creating sustenance for life, held within and moving in rhythm with the grandeur of nature-I composed this piece.

Artist Profile

  • Tomoki Jiromaru

    次郎丸智希 作曲家・ピアニスト・朗読家。福岡出身。大阪大学文学部卒(音楽学)、同大学院修了(ドイツ文学)、神戸大学大学院人間発達環境学研究科・博士課程修了(人間表現専攻)博士(学術)。第17回万葉の歌音楽祭・大賞、第28回TIAA全日本作曲家コンクール(重唱・合唱の部)第1位受賞。文学と音楽両面からアプローチする独自の作風で多くの作品を発表。現在、フェリス女学院大学・グローバル教養学部・文化表現学科・音楽身体表現専攻・准教授、お茶の水女子大学講師。主な作品に、独唱・重唱・合唱のための《百人一首によるうた》《万葉名歌集》、カンタータ《まかる空~竹取物語より~》、ピアノ4手連弾のための《MUSEUM》他多数。研究論文『武満徹作品における音楽語法の変遷―SEAモティーフを中心に―』、『武満徹作品における引用~《夢の引用―Say sea, take me!―》を中心に~』『歌曲の実践と文芸』『武満徹の音楽語法「SEAモティーフ」の萌芽と生成 ~《鳥は星形の庭に降りる(1977)》と《遠い呼び声の彼方へ!(1980)》の比較を通して~』

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