Impression, white Front Cover

Lyric

Dry Silk

MHÚE

色のない世界

I can not feel anything

迷い込む小蝿は

Can you live beyond that?

Oh

隅でしゃがみ込んだ

しがないMy Boy Friend

理想だけは高く

お先にdead end

逃げた過去がまた夜に誘う

しけた会話もまた宙に浮かぶ

いやに冷めた心

Endless days

惑わして

Start is end

いつの日にか消えた

梔子色

街の灯りは消えた

It's time to go home

あの人は今遠くで

Dancing with a pretty girl

Oh

逃げた過去がまた夜に誘う

しけた会話もまた宙に浮かぶ

いやに冷めた心

Endless days

惑わして

Start is end

いつの日にか消えた

梔子色

  • Lyricist

    Moana Uchino, Ryota Tomizawa

  • Composer

    Ryo Idogawa

  • Producer

    Ryo Idogawa

  • Recording Engineer

    Ryo Idogawa

  • Mixing Engineer

    Ryo Idogawa

  • Mastering Engineer

    Ryo Idogawa

  • Guitar

    Ryo Idogawa

  • Bass Guitar

    Ryo Idogawa

  • Drums

    Ryo Idogawa

  • Vocals

    Moana Uchino

  • Programming

    Ryo Idogawa

Impression, white Front Cover

Listen to Dry Silk by MHÚE

Streaming / Download

[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]

This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.

Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.

On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.

Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.

Artist Profile

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