

色のない世界
I can not feel anything
迷い込む小蝿は
Can you live beyond that?
Oh
隅でしゃがみ込んだ
しがないMy Boy Friend
理想だけは高く
お先にdead end
逃げた過去がまた夜に誘う
しけた会話もまた宙に浮かぶ
いやに冷めた心
Endless days
惑わして
Start is end
いつの日にか消えた
梔子色
街の灯りは消えた
It's time to go home
あの人は今遠くで
Dancing with a pretty girl
Oh
逃げた過去がまた夜に誘う
しけた会話もまた宙に浮かぶ
いやに冷めた心
Endless days
惑わして
Start is end
いつの日にか消えた
梔子色
- Lyricist
Moana Uchino, Ryota Tomizawa
- Composer
Ryo Idogawa
- Producer
Ryo Idogawa
- Recording Engineer
Ryo Idogawa
- Mixing Engineer
Ryo Idogawa
- Mastering Engineer
Ryo Idogawa
- Guitar
Ryo Idogawa
- Bass Guitar
Ryo Idogawa
- Drums
Ryo Idogawa
- Vocals
Moana Uchino
- Programming
Ryo Idogawa

Listen to Dry Silk by MHÚE
Streaming / Download
- 1
Invert
MHÚE
- 2
GHOST
MHÚE
- 3
REST
MHÚE
- 4
Vertigo
MHÚE
- 5
Flux
MHÚE
- ⚫︎
Dry Silk
MHÚE
- 7
Focal Point
MHÚE
- 8
Mustang
MHÚE
- 9
Downer
MHÚE
- 10
Organic Mood
MHÚE
- 11
Sleepless
MHÚE
[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]
This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.
Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.
On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.
Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.