Getting account banned for too many returns Front Cover

Getting account banned for too many returns

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Release Date: 2026/05/22

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Dashing Return Boy releases the long-awaited new album
'Getting Banned for Too Many Returns.'

Returns, exchanges, cancellations, inquiries.
When things didn't go well and he kept sending them back over and over, finally it seemed even his life account was about to be suspended.

This work is a record of a man who tries to return everything-not just shopping, but past choices, a word too far, hobbies started on impulse, even dreams that turned out heavier than expected.

We live in a convenient era.
You can order with the push of a button.
You can return with the push of a button.
But returning yourself is much harder.

Behind a light and silly title lies the anxiety, regret, resignation, and that strange optimism of 'I guess I'll just go with this now' of modern people.

What remained after too many returns were empty cardboard boxes and a strangely energetic self.

Getting banned for too many returns.
Even so, today he logs in dashing as ever.

Artist Profile

  • Dashing Return Boy

    Sassou Henpin Boy is a solo artist who turns the everyday sense of discomfort, the melancholy of working people, and just a bit of offbeat humor into music. The origin of the name comes from what he calls a 'pretty troublesome realization': the most important things in life can't be returned. You can return what you bought, but you can't return the time that's passed, a word you said too much, a wrong decision you made at work, or a life choice made on impulse. While he seems to walk through these irreversible days in a breezy manner, in reality, he carries them along quite a bit. His musical style is unique, blending city pop, rock, folk, and the feeling of a canned coffee on the way home from work. He specializes in songs that support those who aren't flashy heroes but are just trying to get through the day quietly, unnoticed by anyone. Typical themes include the emptiness after work, late-night convenience stores, the silence at the returns counter, apologies that didn't come out right, and the kind of half-hopeful, half-resigned feeling of saying, 'Well, I guess I'll go again tomorrow.' About his own music, he says, 'In a life you can't return, at least I want to keep the receipt.' Is he breezy, or does he want to return everything? That contradiction is exactly what Sassou Henpin Boy's music is all about.

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