1984, THE THEOREM OF EXTINCTION Front Cover

1984, THE THEOREM OF EXTINCTION

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Innocent, grass-like lyrics, met with performances that blow fiercely like a cold wind, and quiet mockery.

Using sound as stage design, and music as a device that regenerates thought and aesthetics,
A Concrete Mur explores the intersection of structure and perception.

This track serves as an ending theme for one scene within their first album MEISHIN.

Artist Profile

  • A Concrete Mur

    A music and visual project exploring the intersection of structure and perception, using sound as stage architecture and music as a device for the regeneration of thought and aesthetics. Formed in 2020, the project seeks a return to dimensional expression after an era of homogenization. Sound is treated not merely as music, but as a structural entity intertwined with space, the body, and the gaze, with works created under the premise that they may be reinterpreted and reconstructed according to context and environment. Centered around the concepts of "Concrete" (reality) and "Mur" (walls), the project visualizes structures that contain perceptual gaps and separations through music and moving images, pursuing an evolving form of expression that resists fixed genre classifications. Drawing on the members' deep involvement in Japanese underground theatre, the project presents a post-underground mode of expression across sound and image. After completing three years of recording experiments in December 2025, the project announced its return to its original name, A Concrete Mur, in January 2026.

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A Concrete