

目覚める為に糸で縫われし両目を恨むなかれ。
恨めば昇る天蓋だらけの監獄
-軋む牢獄で発症する子供
-目玉だらけの糸が昇ってくる
あの糸/人は目玉になって命を喰らう
我々は目覚める共犯者〇×△
覚醒、覚醒 真無盲腸目
発症するのは森の向こう
命の森へ行こう
- Lyricist
Takaaki Nishimura
- Composer
Takaaki Nishimura
- Producer
Takaaki Nishimura
- Mixing Engineer
Takaaki Nishimura
- Mastering Engineer
Takaaki Nishimura
- Guitar
Takaaki Nishimura
- Drums
Shintaro
- Vocals
Takaaki Nishimura, Kouya Juusangatsu, Mari Komoda
- Other Instruments
Kouya Juusangatsu, Mari Komoda

Listen to DOT (2026.01.31 live) by A Concrete Mur
Streaming / Download
- ⚫︎
DOT (2026.01.31 live)
A Concrete Mur
- 2
Psychedelic Circus (2026.01.31 live)
A Concrete Mur
- 3
MEAT DISPATCH (feat. FOXPILL CULT) [2026.01.31 Live]
A Concrete Mur
- 4
MEISHIN (2026.01.31 Live)
A Concrete Mur
- 5
UNENLIGHTENED (feat. FOXPILL CULT) [2026.01.31 Live]
A Concrete Mur
- 6
ARCHITECTURE OF SILENCE (2026.01.31 Live)
A Concrete Mur
- 7
FAUST AND THE STRANGER - REGENERATION - (feat. FOXPILL CULT) [2026.01.31 Live]
A Concrete Mur
- 8
1984, THE THEOREM OF EXTINCTION (2026.01.31 Live)
A Concrete Mur
- 9
RING (2026.01.31 Live)
A Concrete Mur
This is the band's second album, capturing the full set from the Meishin release show on January 31, 2026 with no cuts. The mix recreates the soundscape vocalist Nishimura heard on stage that night.
Artist Profile
A Concrete Mur
A multidisciplinary art collective that constructs language as signs and sound as stage design, presenting an expanded field of perception. Centered around Takaaki Nishimura (FOXPILL CULT), Kouya Juusangatsu (ex. Kaiten Hyakume), Mari Komoda (Seigo Showa Office), and Sui, the project began experimentally in 2020 under the name ACM:::. After five years of recording and production, the group released its first album, MEISHIN, in 2026 and returned to its original project name, A Concrete Mur. Drawing on the members' deep involvement in Japan's underground theatre scene, A Concrete Mur develops new forms of expression as a contemporary form of post-underground. Rather than treating each member's activities and works as fixed, completed products, the collective approaches them as documents that continue to be rewritten through recording, reenactment, and falsification, making the very boundary between work and reality itself the subject of its practice.
A Concrete Murの他のリリース
A Concrete



