Kuroishi Yosare (feat. Suzumeno Tears) Front Cover

Kuroishi Yosare (feat. Suzumeno Tears)

Release Date

2026-03-20

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Track List

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As his third single following "Kawasaki", Remon Nakanishi will release a new track on March 20, 2026. The song is an ambitious reinterpretation of "Kuroishi Yosare", a traditional Bon Odori song passed down in Kuroishi City, Aomori Prefecture.

The track opens with North African percussion also used in Gnawa music, before Nakanishi's vocals intertwine with double bass and a dry, desert-tinged guitar. After a shift in beat, rumbling, blizzard-like strings emerge, evoking The Beatles, an acknowledged influence of producer/arranger Agatha. Suzumeno Tears add radiant depth to Nakanishi's raw, untamed voice with choral work reminiscent of YES. Engineering was handled by Kohsuke Nakamura, known for his work with Yuta Orisaka and others.

The single is part of a project leading up to the release of Nakanishi's second album, with five consecutive monthly singles planned. It stands as a significant statement capturing the artist's ongoing evolution.

Artist Profile

  • Remon Nakanishi

    Produced by Agatha, Remon Nakanishi's debut album Hinano Iezuto (Souvenir from the Countryside) (2022), along with Sparrow's Arrows Fly so High (2024) by Suzumeno Tears, signaled a new paradigm for post-pandemic Japanese pop rooted in local and vernacular sensibilities. Rejecting both standardized min'yō and folkloric preservation as static heritage, Nakanishi draws instead on songs and entertainments that circulated fluidly among ordinary people. His repertoire embraces the beauty, earthiness, cruelty, and humor of everyday life, which Agatha's refined arrangements blend with diverse global musical styles in unexpected ways. Long before emerging as a min'yō-inflected pop artist, Nakanishi immersed himself in grassroots performance cultures, participating in bon odori across Japan and creating artworks inspired by these experiences. He has worked for the off-note label, dedicated to marginal music and performance traditions in Japan and East Asia, while also guiding reading groups on early modern popular performance materials. His path as a singer crystallized through Monogatari Uchūno Kai, a correspondence course in Gōshū Ondo founded by Tadamaru Sakuragawa, which became central to the alternative bon odori scene and gave rise to Suzumeno Tears. During the COVID-19 pandemic, album production in Agatha's home studio led to Hinano Iezuto, followed by ODORI ONDO, a 12-inch single pairing extended Gōshū Ondo narratives with hip-hop and molam. A committed revivalist of popular festivals, Nakanishi is, for that very reason, a distinctly contemporary artist opening new spaces for vernacular expression today.

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