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LAMMA BADA YATATHANNA

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"Lammā badā yatathannā" is an original composition that reflects on what endures beyond time, holding melody inward as a form of prayer.

Deep, sinking guitars saturate the space with gravity and resonance, while a fiercely distorted Hammond organ forms a magnetic field of devotion. Ethnic chants and polyphonic voices emerge like distant echoes, suspended beyond a single moment or place.

This work was inspired by the presence and spiritual atmosphere of the Arabic classical song "Lammā badā yatathannā" not as a reproduction or arrangement of its melody, but as a reinterpretation of its resonance through sustained sound and density.

The lyrics are sung first in the original Arabic, followed by an English rendering shaped by meaning rather than direct translation, allowing sound and sense to unfold together over time.

Artist Profile

  • SATOSHI

    Rooted in spiritual post-rock, post-metal, doom/drone, and ambient music, the project explores an acoustic field born from raging sound and deep silence. Drawing from classical harmony, folk polyphony, sacred chants and liturgical traditions, as well as devotional music from various cultures, the soundscapes are shaped around heaviness, repetition, and sustained tones, creating immersive sonic environments. These elements dissolve into sound as ritual, memory, and resonance, emerging as expressions connected to prayer, silence, and inner journeys. Eclesiah is an art project conceived as both a creative and communal space, centered on music, visual expression, contemplation, and prayer. Selected works include Agní Parthéne, Gelino, and Lotus. Agní Parthéne reached #22 on the iTunes Greece Rock Top Songs chart in 2025.

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