LAMMA BADA YATATHANNA Front Cover

LAMMA BADA YATATHANNA

SATOSHI

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"Lammā badā yatathannā" is an original composition that reflects on what endures beyond time, holding melody inward as a form of prayer.

Deep, sinking guitars saturate the space with gravity and resonance, while a fiercely distorted Hammond organ forms a magnetic field of devotion. Ethnic chants and polyphonic voices emerge like distant echoes, suspended beyond a single moment or place.

This work was inspired by the presence and spiritual atmosphere of the Arabic classical song "Lammā badā yatathannā" not as a reproduction or arrangement of its melody, but as a reinterpretation of its resonance through sustained sound and density.

The lyrics are sung first in the original Arabic, followed by an English rendering shaped by meaning rather than direct translation, allowing sound and sense to unfold together over time.

Artist Profile

  • SATOSHI

    SATOSHI creates spiritual post-rock and blackgaze shaped by classical harmony, sacred traditions, and Japanese melodic sensibilities. His sound merges layered divine voices with massive drones, tremolo-driven walls of sound, and immersive atmospheres, moving between crushing heaviness and profound silence. Drawing from liturgical chants, folk polyphony, and drone-based minimalism, his compositions function as spiritual sound architecture - balancing transcendence and weight, stillness and intensity. Eclesiah represents his personal mythos: a Sacredgaze vision where divine voices, prayer, and immense sonic landscapes converge. Selected works include Agni Parthene, Gelino, and Lotus.

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