

近頃、雨が減った
雪は溶けて 桜は散った
僕にはそれが一瞬だった
隣をふと見つめた
君は桜を見ていた
僕はそんな君を見つめてた
5月の晴れた昼下がり
花びらが落ちてた
君と僕は何が違うのだろうか
花、揺らし、また通り過ぎる
髪を揺らし涙、不服
気付かぬまに知らぬ場所へと行く
流れるように るーるるるる
透明なまま
忘れられながら
君の言ってることが
遠い国の言葉に聞こえた
身振り手振りでなんとなくわかるが
ここはどこだろうか
君と僕は何が違うのだろうか
明日はまた違う場所へといく
多分そこでも誰かと出会う
笑顔 泣き顔 困り顔などにであう
流れるように るーるるるる
透明なまま
忘れられながら
どうせわかりもしないのなら
透明で忘れていくなら
なぜそれでもなどと言うのだろうか
るーるるるる
花、揺らし、また通り過ぎる
髪を揺らし涙、不服
気付かぬまに知らぬ場所へと行く
流れるように るーるるるる
透明なまま
忘れられながら
るーるるるる
るーるるるる
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Programming
sumi

Listen to wind by sumi
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wind
sumi
『風』は、春のやわらかな景色の中にある、静かな孤独を描いた一曲です。雨が減り、雪が溶け、桜が散っていく季節の流れの中で、隣にいる相手と同じものを見ているようでいて、どこか決定的にずれてしまう感覚が丁寧に綴られています。花びら、髪、涙を揺らしながら通り過ぎる“風”は、時間や関係の移ろいそのもののように響きます。分かり合えなさを叫ぶのではなく、透明なまま忘れられていく感覚として描くことで、聴く人それぞれの孤独にもそっと触れる、繊細で余韻の深い楽曲です。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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