Daughter of Amdusias Front Cover

Lyric

At the End of a World Caught at Dusk, I Called You Out to Read My Love Letter.

ladepool

おくすりで得られる平和は。

そんなに長くはないよ。

ふたりでこのままいられたら。

だけど、そんな上手くいかないから。

柔らかくてさびしくて。

君はなんて謙虚なんだろう。

笑い合って溶け出した。

鏡の向こうの幸福、だよ。

愛しているよ。

君が最低なままで。

ゆるしてあげるから。

僕の手をまだ離さないで。

おくすりで得られる平和は。

そんなに長くはないよ。

ふたりでこのままいられたら。

だけど、そんな上手くいかないから。

柔らかくてさびしくて。

君は恋を知らないんだろう。

笑い合って溶け出した。

鏡の向こうの幸福、だよ。

愛しているよ。

君が最低なままで。

ゆるしてあげるから。

僕の手をまだ離さないで。

愛しているよ。

世界が壊れても。

ゆるしてあげるから。

僕の手をまだ離さないで。

  • Lyricist

    kidasakunen

  • Composer

    kidasakunen

  • Producer

    kidasakunen

  • Co-Producer

    eerie-eery

  • Recording Engineer

    kidasakunen

  • Mixing Engineer

    kidasakunen

  • Mastering Engineer

    kidasakunen

  • Graphic Design

    eerie-eery

  • Vocals

    ladepool

Daughter of Amdusias Front Cover

Listen to At the End of a World Caught at Dusk, I Called You Out to Read My Love Letter. by ladepool

Streaming / Download

  • 1

    Confessions of a Mask

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  • 2

    Goodbye Rings Beneath the Water

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  • 3

    The Weatherman's Umbrella Is Light Blue

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  • 4

    Atrium, Heaven, Bedtown.

    ladepool

  • 5

    White. Daydream.

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  • 6

    Early Summer, Deep Inside Your Playlist

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  • 7

    Chirunami

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  • 8

    Summer in the Dictionary

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  • 9

    Girl B

    ladepool

  • ⚫︎

    At the End of a World Caught at Dusk, I Called You Out to Read My Love Letter.

    ladepool

ladepool is a Japanese post-shoegaze unit that describes itself as an anarchic post-shoegaze unit.

Daughter of Amdusias is ladepools fifth album.

Rooted in electro-shoegaze, the album incorporates elements of dream pop, ambient, electronica, hyperpop, Vocaloid culture, and alternative music, while allowing each genre to retain its own distinct identity and coexist within the album.

Across ten tracks, the album reexamines the universal act of listening to music through the world of a young girl. Centered around a crystal-clear, almost inorganic vocal, it portrays a world in which a girl lives under the control of music itself as if music were a demon possessing her.

Amdusias, the figure behind the albums title, appears in old demonological texts as a being who produces the sounds of unseen instruments and can move trees through the power of sound. Here, we reinterpret Amdusias as a symbol of DAWs and music streaming itself. Is the girl listening to music, or is the music listening through her? The album explores the boundary between the two.

I think my music always wanted to be heard by someone whose face I had never seen.

Artist Profile

Lade Pool Records

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