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In the morning, I arrived at the site.
The general contractor isn't here.
The supervisor hasn't arrived yet either.
The workers have already started moving.
And then, someone says:
"Let's push forward while we can."
This work is an album themed around the 'freedom' and 'anxiety' that linger at public construction sites.
Planning, marking, installation, delivery, supervision, photo management, and later recalling in a cold sweat, 'Did I properly take a record of this?'
Is it easier because no one is watching?
Or is it scary because no one is watching?
Depicting the reality of a site swaying on that boundary, with a sense of melancholy and irony typical of a precise worker.
'Doing whatever you want' doesn't mean acting selfishly.
The less people are around, the more you have to do things properly, or you'll face hell later.
No general contractor, so it's 'do whatever you want.'
But the freer the site really is, the more the core of responsibility is questioned.
Artist Profile
Centering Man
Shindashi Man is a mysterious mechanical installation technician artist born from the gaps in couplings. His hobby is looking at dial gauges, and his special skill is prolonging work on site by saying, 'Just 0.1 more to the right.' Yet, to surprisingly little expectation, his music is straightforward and oddly piercing to misaligned hearts. For him, music is the core alignment of life. Today, somewhere in a pump room, he is a supervising technician who is correcting someone's heart's eccentricity.
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