

100万回は陽が昇ったけど
ちょっとも進んじゃいない
人工降雨/サイエンスフィクション
転校生のスカートの長さ
一切合切が想定内、ありがちな構造論気取り
誰よりも大事な君との明日のためにって
生きてみたいけど、いつのまにやら
ある朝起きたら 一人ぼっちだ
上海の雉は啼く、啼く
寝ぼけ眼を諭すように
20歳の俺は泣く泣く…
懐郷病が続きそう
純朴な心殺して磨いてきた大道芸
緘黙症のフランケンシュタインも
尻尾を振り笑わせたかった
不安定で 不明瞭で、ありがちな強迫観念に
俺だって例外じゃなくて
逃げ出してきたクチだよな…
洗濯物が乾く前に
君の心が変わっちゃいないか
突然の土砂降りで
君の気持ちは変わってしまう
北半球の暗がりで
君の心は変わっちゃいないか
太陽が昇るまでに
君の気持ちよ、変わらないで
人類の寝静まる夜
ただ分かるのは死ぬことだけ
技術 才能 俺は無く、泣く
どんな努力もしたくない!
上海の雉は啼く、啼く
助けてくれと咽ぶように
酔いどれの目に浮かぶのは
ベルヴェデーレのクリムト
20歳の俺は泣く泣く…
今日も仕事だ 起きなきゃ
- Lyricist
Bungaku
- Composer
THE YUINOWS
- Recording Engineer
crossroad-studio
- Mixing Engineer
crossroad-studio
- Mastering Engineer
crossroad-studio
- Graphic Design
Sanae Fujiwara
- Guitar
Ecri, Bungaku
- Bass Guitar
Yo
- Vocals
Bungaku

Listen to Shang hai zhi ti by THE YUINOWS
Streaming / Download
- ⚫︎
Shang hai zhi ti
THE YUINOWS
- 2
Ahita ni wa
THE YUINOWS
- 3
Anti Virus
THE YUINOWS
- 4
TURBO U
THE YUINOWS
- 5
Ginger ale
THE YUINOWS
"Base U," set to release on March 23, 2025, is a 5-track EP by THE YUINOWS, a band formed on April 6, 2021. This marks their debut official release.
Overview:
In terms of musical composition, the EP features a vibrant and bright style influenced by both major Japanese rock bands and indie alternative rock bands. The songs combine unique and engaging structures with pleasant sounds that aim to maintain the listener's interest.
Ensemble:
Vocals: Strong low-mid range vocals
Guitars: Two guitars with unique phrasing centered around the pentatonic scale, without being confined to backing or lead roles
Bass: A bass that maintains a rudimentary and linear low sound while occasionally playing high fret regions
Drums: Drums that are familiar yet unconventional
This combination creates a distinctive sound that eagerly pursues the best elements of alternative rock.
Lyrics:
The lyrics, penned by the guitarist-vocalist, showcase an introspective and literary style. Themes include youth poverty, space, illness, anxiety about the future, and moratorium. The songs tackle conflicting concepts such as positivity and negativity, hope and resignation, and infinity and finitude, all while maintaining these oppositions within a single piece.