flower Front Cover

Lyric

peanut

sumi

どうしてって言われてもわからないほど

枯れない気持ちが散っていくまま

生まれて初めてを探し続けることすら

諦めそうなくらいにわからないまま

光っては遠くへ行く

どうせみんなそうなんだと

繋いでいたこの手は点滅していく

まるで早まきの

誰かのなんでもない日々みたいに

手触りがやけに遠い

なんでなんだろう

花びらが舞う

あたしは願う

美しく終わることを

一人なこと

寂しいけれど

いつかは終わる

花びらがなくなることに恐ろしさも

感じないで瞬くまま

いつ終わっても怖くないまま

声が聴こえた

微睡のなか

止まっていた時が動き出すような

生まれて初めてなのに

なぜか

泣きそうなくらいに懐かしいんだ

光っては遠くへ行く

どうせみんなそうなんだと

思ってたのに

何故かひかり続けている

何故か種も撒いてないのに

実るはずのさねを思う

今までがやけに近い

なんでなんだろう

花びらを待つ

あたしは願う

美しくなることを

一人なこと

寂しかったよ

いつかは終わる

でも今じゃなくまだこれからなんだと

感じて繋いだ手を

いつ終わっても怖くないまま

光っては遠くへ行く

どうせみんなそうなんだと

思ってたのに

何故かひかり続けている

何故か種も撒いてないのに

実るはずのさねを思う

今までがやけに近い

なんでなんだろう

花びらが舞う

あたしは願う

美しく終わることを

二人なこと

嬉しいこと

いつかは終わる

それまでは舞い続けてく瞬きを

軽やかに踊ろうか

二人で

楽しいまま

いつ終わっても怖くないまま

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

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    sumi

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    peanut

    sumi

愛しい人への贈り物です。

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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