

どうしてって言われてもわからないほど
枯れない気持ちが散っていくまま
生まれて初めてを探し続けることすら
諦めそうなくらいにわからないまま
光っては遠くへ行く
どうせみんなそうなんだと
繋いでいたこの手は点滅していく
まるで早まきの
誰かのなんでもない日々みたいに
手触りがやけに遠い
なんでなんだろう
花びらが舞う
あたしは願う
美しく終わることを
一人なこと
寂しいけれど
いつかは終わる
花びらがなくなることに恐ろしさも
感じないで瞬くまま
いつ終わっても怖くないまま
声が聴こえた
微睡のなか
止まっていた時が動き出すような
生まれて初めてなのに
なぜか
泣きそうなくらいに懐かしいんだ
光っては遠くへ行く
どうせみんなそうなんだと
思ってたのに
何故かひかり続けている
何故か種も撒いてないのに
実るはずのさねを思う
今までがやけに近い
なんでなんだろう
花びらを待つ
あたしは願う
美しくなることを
一人なこと
寂しかったよ
いつかは終わる
でも今じゃなくまだこれからなんだと
感じて繋いだ手を
いつ終わっても怖くないまま
光っては遠くへ行く
どうせみんなそうなんだと
思ってたのに
何故かひかり続けている
何故か種も撒いてないのに
実るはずのさねを思う
今までがやけに近い
なんでなんだろう
花びらが舞う
あたしは願う
美しく終わることを
二人なこと
嬉しいこと
いつかは終わる
それまでは舞い続けてく瞬きを
軽やかに踊ろうか
二人で
楽しいまま
いつ終わっても怖くないまま
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

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Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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