WHITEOUT? Front Cover

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sammy. / REVERSIES
2nd Album WHITEOUT?

Anger, emptiness, self-loathing that borders on suicidal thoughts - and a faint trace of light.
WHITEOUT? is an album that compresses and blurs emotion within a world where vision gradually fades, ultimately leading to a "dark explosion."

With a stronger dark grunge presence intertwined with elements of emo and punk, the album is rougher and more introspective than its predecessor. At the same time, it expands its gaze outward toward the world, reflecting a noticeable psychological evolution.

The album opens with "Dead of Night," driven by a dark yet pop-tinged guitar riff, capturing the tension between self-denial and self-acceptance in the face of expectations one feels unable to meet. The final pre-release single, "BAKENOKAWA," sharply critiques hypocrisy and performative justice. The title track "whiteout?" questions hope in a voice that sounds as though it might disappear at any moment. Closing track "Get Away" brings the album to an end with raw, unfiltered vocals and heavy low-end intensity.

This work does not promise salvation.
And yet, the sound continues.

These twelve tracks, performed while holding themselves just short of collapse, stand as proof that in a clouded and chaotic world, it is not over yet.

Artist Profile

  • sammy. /REVERSIES

    sammy. /REVERSIES presents a unique style as a "one-person alternative rock band (?)" rooted in grunge and alternative rock. While heavily influenced by Western music genres like punk, emo, and Rock'n'roll, the music also pays respect to diverse styles such as J-Rock and VOCALOID. Despite living with bipolar disorder, he officially launched his music career in 2024. He is open about being non-binary, and many of his songs carry messages that resonate with the LGBTQA+ community, minorities, and those experiencing emotional pain. These tracks often scream out in solidarity, sharing the listener's pain. By incorporating both Japanese and English lyrics, "sammy. /REVERSIES" creates music that reaches audiences both in Japan and abroad.

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