SONIQ PRIME Front Cover

Lyric

Money on Money

SONIQ

(From Sennan city, Osaka south side boy, SONIQ wyl)

(Yeah! yeah! yeah! oh)

何もない街からsky

ゴミを金に変えるlife

熟成する程に美味い

黒く濁る俺はワイン

蜜の味もI like the vibe

But ハチミツ吸ってもhard style

Money on money だけじゃ曖昧

お金に変える I My Me Mine

汚いポーチに貯めるice

偽モンPRADA 背負って振るダイス

全て資本に数百倍

最低から最高なlife

イカれてんだもう このままテンダーロイン

(Right, ah)

昔はslow, every day weed

馬鹿なin my teens

胸tatoo 見る度に思い返す何が大事

キスしてくんなよ古い傷

誓った愛触らせない

無責任なpeaceに蓋して沸騰する俺のrhyming

笑って稼ぐんだよ大金

この声が特産品 (Ah!)

何もない街からsky

ゴミを金に変えるlife

熟成する程に美味い

黒く濁る俺はワイン

蜜の味もI like the vibe

But ハチミツ吸ってもhard style

Money on money だけじゃ曖昧

お金に変える I My Me Mine

カフェイン入れる夜中2時

暗闇で作る大波

SONIQの株 今買い時 換金したgold でapollo twin

(Ah! ah! ah!)

Fire とかちゃう毎日火吹くノイマンマイク

(Ah! ah!)

いつか億り人

金持ち誰かのATMやろmoney on money これ精神ゲー

投資する仲間 行使する力 常識とかない音の上

でも義理人情ある侍soul

アバズレfake ass いらないもう

Black soulと愛をblend, yea

周りも巻き込んで fly

何もない街からsky

ゴミを金に変えるlife

熟成する程に美味い

黒く濁る俺はワイン

蜜の味もI like the vibe

But ハチミツ吸ってもhard style

Money on money だけじゃ曖昧

お金に変える I My Me Mine

  • Lyricist

    SONIQ

  • Composer

    Salto

  • Producer

    Salto

  • Mixing Engineer

    Salto

  • Mastering Engineer

    Hiroshi Shiota At SALT FIELD MASTERING

  • Rap

    SONIQ

SONIQ PRIME Front Cover

Listen to Money on Money by SONIQ

Streaming / Download

Moving from SONIC I to SONIQ, the Osaka-based rapper introduces a new chapter in his career with an album that explores his background, personal beliefs, and musical influences.

Raised in Sennan, Osaka, SONIQs relationship with hip-hop was shaped by his surroundings, relationships with friends and family, and the loss of people close to him. These experiences influenced his perspective and the way he approaches music. Across the album, he explores different emotions and aspects of his personality through tracks that each take a distinct direction.

Deeply influenced by US hip-hop, particularly Atlanta trap, SONIQ traveled to Atlanta with the intention of getting closer to the culture behind the sound. He wrote the lyrics for most of the project during his stay. Working with producer Salto, he explored new sonic directions centered on trap, while incorporating elements of Memphis Glo on select tracks. The result reflects both his connection to the US scene and his own perspective as an artist from Japans Kansai region.

The albums concept draws inspiration from the game SONIQ PRIME, playing on the connection between SONIQ and Sonic. Opening with in Game, the project uses the idea of a game as a framework for exploring his life, past hardships, and ongoing struggles, while emphasizing the freedom to move forward on his own terms.

Musically, the album moves between straightforward rap, flow-driven performances, melodic delivery, and more experimental approaches. The recording process also reflects a shift in his priorities, with greater emphasis on the energy and natural feel of a first take rather than technical perfection alone.

Recorded primarily at a studio built with friends in Izumisano, with additional sessions in Tokyo and Atlanta, the album serves as an introduction to SONIQs identity, experiences, and evolving sound. Trap and Glo remain central to his direction as he develops his style under a new name.

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