

下北沢の 乗り換え口で
財布の隅の 束をひらく
ミシン目ひとつ 指でなぞって
一枚だけを 細く切り取る
改札を抜ける 硬い音ひとつ
金曜ごとの 句読点になる
古道具屋の灯 時計が並ぶ
あなたの指が 針を戻してる
ミシン目を切れば 一枚軽い
会いにゆくたび 束は薄い
減ってゆくのに 足りないなんて
この指だけが 残りを数える
財布の奥で 束が頼りない
あと数枚で 終わる細さに
売り場はすぐそこ 買い足せばいい
なのに窓口 通り過ぎてた
昔の町では 名前のかわりに
「誰の娘」と 呼ばれて育った
だから名前を つけずにおくの
続くとは言わず 今日も切るだけ
ミシン目の白い縁 残りわずか
切り取るたびに 終わりが近い
でも買い足さない 今日はこのまま
最後の一枚 まだ切らずにおく
「また来ていい」とは 言えないままで
改札の外へ ひとり抜けて
財布の底に 最後の一枚
角のやわらかい 白いミシン目
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to Andante of the Ticket Book by Akemi
Streaming / Download
- ⚫︎
Andante of the Ticket Book
Akemi
Andante of the Ticket Book is a mid tempo city pop track that portrays a relationship growing closer even as the book of coupon tickets grows thinner with every visit.
A transfer gate in Shimokitazawa, a finger tracing a single perforated line, one thin ticket torn away, clocks lined up in a secondhand shop, and a ticket window passed by without stopping create a quiet evening scene where intimacy and its own limit advance through the very same motion.
Performed by the fictional AI singer Akemi, the song captures the emotions of adulthood that wishes to keep going yet avoids buying a new book, because a fresh book would mean giving the relationship a name, choosing instead to decide the count for herself without ever saying let us continue.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era urban lyricism through images of city dusk, station gates and train windows, and the distance of a relationship with no name.
When she tears the second to last ticket, the thinness of the book reaches her fingertips, and her body learns the contradiction that the closer she comes, the fewer times remain.
Without ever saying that she may come again, she leaves the very last ticket uncut and returns it to the bottom of her wallet, quietly choosing the closeness and the pause that comes with it.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



