しかし君は自由だ
驚くほど不純で
過ぎた日に
未だに期待を抱いてる
不自然に問いて
また1人で答えて
特に疑問に思わず生きて
無自覚に無駄に話して
自由だ
本物の幸せとは何か
人の温もりは何か
知るほど分からなかった
自分が誰でどんなものか
いかにも
君が誰かは分かってるんだ
なんで
なんで
なぜだろう怯えてるんだ
不透明な感覚に
陥っても大丈夫なように
鏡を見つめる
しかし君は自由だ
驚くほど不純で
過ぎた日に
未だに期待を抱いてる
不自然に問いて
また1人で答えて
特に疑問に思わず生きて
無自覚に無駄に話して
自由だ
こんなに輝いてるんだ
自在にいつでも人を動かせるのに
なんで悲しんでるの泣いてるの
優しさなんて忘れて騒げば良いんだ
間もなく終わりさ
言い残す事もないし
あなたが憎らしくて
心が圧っされていく
まだ不自然に歩いて
不思議と忘れて
特に疑問に思わず生きて
無自覚に無駄に話している
- Lyricist
Kei Hatori
- Composer
Kei Hatori
Listen to Autolife by Kei Hatori
Streaming / Download
- 1
Problems (Intro)
Kei Hatori
- 2
The Moist Attack
Kei Hatori
- 3
No Psychology
Kei Hatori
- 4
Yukiteki Baitai (Interlude)
Kei Hatori
- 5
Guilty Pleasure
Kei Hatori
- 6
Make it Alright
Kei Hatori
- 7
Withdraw the Proceedings
Kei Hatori
- 8
R003
Kei Hatori
- 9
Painful Convulsions
Kei Hatori
- ⚫︎
Autolife
Kei Hatori
The second solo EP by Kei Hatori, a songwriter and track maker born in 2002 with diverse musicality. This work was made about half a year after the last release. He self-taught songwriting and arrangement, and plays colorful pop music that incorporates sound programming and contemporary music. IDM "The Moist Attack" "R003" inspired by the post-rave sound of the 2000s. An advanced approach to his rhythm that can be seen in "No Psychology" that incorporates trip-hop techniques. And "Make it Alright" develops a dreamy pop sound that crosses glitchy hardcore hip-hop and noise music. "Withdraw the Proceedings" shows catchy songwriting like jazz in the 1950s, all of which show his greedy pursuit of composition and arrangement. In addition, the overly cynical poetry world of "Painful Convulsions" and "Autolife" is a surprisingly objective depiction of the distorted emotions of the younger generation. The self-produced activity, in which he handles engineering, video production, and artwork by himself, can be said to be the emergence of a rising star in the Japanese underground scene.