

朱い肉池に 印鑑を伏せて
神泉の窓に 三時の陽が射す
あなたの印が もう先に乾く
私の欄だけ 白を残している
円を取る指 朱の付きを見る
押せばこの名を 置いてゆくこと
まだ手放せない この名前を
重さだけ量って 手を浮かす
朱肉に印面 朱を含ませ
白い欄の上 持つ手が止まる
押せば変わる名 戻れなくなる
それでも指は 離れずにいる
朱を拭って 印鑑を置く
婚姻届を そっと伏せて
引き寄せる紙は 部屋の申込み
同じ住所に 二人で書く
大和の信金 窓口の朱
覗いた幼い日 手を止める間
急かされても 名を確かめる癖
その間合いが 今も指にある
新たな紙へ 自分の名を
まっすぐ下ろし 息をつめて
変えない名前で ここに住む印
拭えない朱が 二つ並ぶ
白いままの欄に 陽が翳るころ
「これでいい」とは 声に出さずに
同じ住所に 別の名を残し
言う代わりに 隣の椅子を引く
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to Vermilion Signature by Akemi
Streaming / Download
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Vermilion Signature
Akemi
Vermilion Signature is a mid tempo city pop track that portrays a Sunday afternoon when she leaves the marriage form unsigned where he has already pressed his seal, and chooses instead to share one address under two separate family names.
A desk in an apartment in Shinsen, the dull light of three in the afternoon, an opened case of vermilion ink paste, a registration column still left blank, and a rental application drawn closer create a quiet scene where a wordless decision rises through how a hand pauses and which paper it chooses.
Performed by the fictional AI singer Akemi, the song captures the emotions of adulthood that, even while expected to take a husbands name, refuses to spend the finality of a seal on the finality of marriage, and chooses to stay beside him under her own name.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era lyrical subtlety through the air of a room on a day off, the feel of papers and a seal, and a decision never spoken aloud.
With the hand she held back over the blank marriage column, she lowers her own name onto the rental form, leaving two indelible marks of vermilion side by side.
Without ever saying this is enough, she leaves a different name at the same address and draws out the chair beside him, a quiet and grown form of declaring her will.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



