The Passage of Youth Front Cover

Lyric

The Station of Words

Akihiro Kuwajima

雨が上がったら

プラットフォームは

光でいっぱい

悲しい朝だよ

目と目が合ったら

素直になれない

やけに困ったな

鼓動が高鳴る

まるで言の葉の駅に

降り立った少年みたいに

片道切符でさまよう

行き先をなくして

ダイヤグラムは

乱れてばっかり

心の距離が

うまく掴めない

愛って何だろう?

思いやりって何だろう?

優しくなるたび

傷付いちゃうのさ

きっと言の葉の駅は

何年も無人駅のまま

亡霊みたいな季節を

見送ってきたんだろう

だから言の葉の駅は

寂しい汽笛をやり過ごし

篠突く雨のなかで

春を待っているよ

まるで言の葉の駅に

降り立った少年みたいに

片道切符でさまよう

終電が過ぎてしまう前に

言の葉の駅に

降り立った少年時代は

往復切符をなくして

春を待っているよ

いまでもあの駅で

春を待っているよ

  • Lyricist

    Akihiro Kuwajima

  • Composer

    Akihiro Kuwajima

  • Producer

    Akihiro Kuwajima

  • Guitar

    u.g.

  • Vocals

    Akihiro Kuwajima

  • Background Vocals

    Akihiro Kuwajima

The Passage of Youth Front Cover

Listen to The Station of Words by Akihiro Kuwajima

Streaming / Download

  • 1

    Spring Mud

    Akihiro Kuwajima

  • 2

    Where the Rainbow Is

    Akihiro Kuwajima

  • 3

    Yamato Nadeshiko

    Akihiro Kuwajima

  • ⚫︎

    The Station of Words

    Akihiro Kuwajima

  • 5

    The Bookmark of a Song

    Akihiro Kuwajima

  • 6

    Halelea: The Song of My Sweet Home

    Akihiro Kuwajima

  • 7

    A Pictureless Town

    Akihiro Kuwajima

  • 8

    Marine Liner No.77

    Akihiro Kuwajima

  • 9

    The Song of Distance

    Akihiro Kuwajima

  • 10

    The Session of "A Pictureless Town" (Acoustic Ver.)

    Akihiro Kuwajima

Akihiro Kuwajima's first full-length original album is a heartfelt collection rooted in the power of song and lyric. From the danceable electro-kayō "Yamato Nadeshiko" to the ballad "Marine Liner No. 77," which reflects his longing for home, the album spans ten tracks (including one bonus track).

Also featured are "A Pictureless Town," a Reiwa-era take on the classic Group Sounds genre performed with full band ensemble; "Where the Rainbow Is," highlighted by Motoki Shigeta's composition and guitar, Yuu Matsuba's percussion, and choral vocals by Ramu; and "The Station of Words," co-written with gentle-hearted guitarist ug.

The album title, Shunju ("Spring and Autumn"), traditionally refers to the seasons of a year, but here, it hints at something broader: the passage of life itself. With a year and a half spent in recording, this deeply personal work represents what the artist calls a 'final summary of his youth'-a resonant collection that reaches the hearts of all who live in this time.

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