The Passage of Youth Front Cover

Lyric

Halelea: The Song of My Sweet Home

Akihiro Kuwajima

故郷を離れる春の日に

電車の窓から見ていたよ

家族の記憶と若い日の

思い出刻んだモルタルを

あの夏へ帰れば

懐かしい家(うち)の匂い

雨風に打たれて

「ただいま」を何度も

繰り返してきたから

帰りましょう

帰りましょう

喜びも悲しみも

分け合える屋根の下

職人気質のおじいちゃん

お料理上手なおばあちゃん

ときには背伸びもしちゃうけど

忘れはしません あの日々を

秋空は高くて

見果てぬ夢を見ました

木枯らしに震えて

自分を見失う

私を守ってくれた

帰りましょう

帰りましょう

思い出の住むところ

かけがえのないお家

帰りましょう

帰りましょう

喜びも悲しみも

分け合える屋根の下

かけがえのないお家

  • Lyricist

    Akihiro Kuwajima

  • Composer

    Akihiro Kuwajima

  • Producer

    Akihiro Kuwajima

  • Vocals

    Akihiro Kuwajima

  • Background Vocals

    Akihiro Kuwajima

The Passage of Youth Front Cover

Listen to Halelea: The Song of My Sweet Home by Akihiro Kuwajima

Streaming / Download

  • 1

    Spring Mud

    Akihiro Kuwajima

  • 2

    Where the Rainbow Is

    Akihiro Kuwajima

  • 3

    Yamato Nadeshiko

    Akihiro Kuwajima

  • 4

    The Station of Words

    Akihiro Kuwajima

  • 5

    The Bookmark of a Song

    Akihiro Kuwajima

  • ⚫︎

    Halelea: The Song of My Sweet Home

    Akihiro Kuwajima

  • 7

    A Pictureless Town

    Akihiro Kuwajima

  • 8

    Marine Liner No.77

    Akihiro Kuwajima

  • 9

    The Song of Distance

    Akihiro Kuwajima

  • 10

    The Session of "A Pictureless Town" (Acoustic Ver.)

    Akihiro Kuwajima

Akihiro Kuwajima's first full-length original album is a heartfelt collection rooted in the power of song and lyric. From the danceable electro-kayō "Yamato Nadeshiko" to the ballad "Marine Liner No. 77," which reflects his longing for home, the album spans ten tracks (including one bonus track).

Also featured are "A Pictureless Town," a Reiwa-era take on the classic Group Sounds genre performed with full band ensemble; "Where the Rainbow Is," highlighted by Motoki Shigeta's composition and guitar, Yuu Matsuba's percussion, and choral vocals by Ramu; and "The Station of Words," co-written with gentle-hearted guitarist ug.

The album title, Shunju ("Spring and Autumn"), traditionally refers to the seasons of a year, but here, it hints at something broader: the passage of life itself. With a year and a half spent in recording, this deeply personal work represents what the artist calls a 'final summary of his youth'-a resonant collection that reaches the hearts of all who live in this time.

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