Psalm 121 Front Cover

Lyric

Psalm 121

The BLISS

I will lift up mine eyes unto the mountains

From whence shall my help come?

Shall my help come?

Shall my help come?

Shall my help come?

I will lift up mine eyes unto the mountains

From whence shall my help come?

Shall my help come?

Shall my help come?

Shall my help come?

My help cometh from Jehovah

Who made heaven and earth

My help cometh from Jehovah

Who made heaven and earth

From this time forth and forever more

He will keep thy soul

From this time forth and forever more

He will keep thy soul

高く聳える山を見上げながら、どこから救いが来るか思い出そう。

全てを造り、遠い空までも、主の御業と私は祈る。

高く聳える山を見上げながら、

どこから救いが来るか思い出そう。

全てを造り、

遠い空までも、

主の御業と私は祈る。

Amen

Forever in Your arms, forever You hold me

Your loving hand is guiding me

Through morning fears, through my midnight tears

You guard my soul and carry me on, Lord

Amen

Forever in Your arms, forever You hold me

Your loving hand is guiding me

Through morning fears, through my midnight tears

You guard my soul and carry me on, Lord

Amen

とこしえにとこしえに、守られている。

朝の不安も夜の寂しさも、

命の先へと見守られている。

朝の不安も夜の寂しさも、命の先へと。

Amen

  • Lyricist

    Miwa Yukali

  • Composer

    Hisatsugu Noto

  • Producer

    Hisatsugu Noto

  • Recording Engineer

    Hisatsugu Noto

  • Mixing Engineer

    Hisatsugu Noto

  • Mastering Engineer

    Hisatsugu Noto

  • Bass Guitar

    Kenta Horiki

  • Keyboards

    Hisatsugu Noto

  • Vocals

    The BLISS

  • Background Vocals

    The BLISS

  • Piano

    Hisatsugu Noto

  • Organ

    Hisatsugu Noto

  • Programming

    Hisatsugu Noto

  • Choir

    Hisatsugu Noto, Miyabi Noto, Kanaka Noto, Tamaki Noto, The BLISS

Psalm 121 Front Cover

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    Psalm 121

    The BLISS

The third release by the Japanese mixed-gender gospel chorus group The BLISS, "Psalm 121", is, as its title suggests, a work inspired by a passage from the Old Testament. The song was written and arranged by Hisatsugu Noto, known for works such as SMAP's "Fly", Crystal Kay's "Tears", and Songs for Philosophy no Dance. In addition, bassist Kenta Horiki, who is active in Japan's gospel scene, joins as a guest performer.
Structured in three parts, the piece traces a journey backward through time as it unfolds, moving from alternative and contemporary gospel-represented by groups like the Sunday Service Choir-toward vintage gospel styles of the 1970s to 1990s, offering praise against a backdrop of these evolving styles and sonic elements.
With five new members, the group takes on a renewed formation, incorporating a youth choir and embracing new challenges through shifting expressions that include solos, duets, and full choir performances.

Artist Profile

  • The BLISS

    A group formed with the desire to deliver -The BLISS = Supreme Joy- anywhere through gospel singing. The members have long histories in music and gospel, and their harmonies are filled with passion. By uniting and shining through their individual talents, they hope to share this joy with as many hearts as possible.

    Artist page


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