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Westman8, a member of the pop band Balconny, based in Fukuoka Prefecture, will begin his solo career in 2025.
He is currently distributing songs created using music generation AI, and has released his fifth single, Himajin Imagine.
The theme of this work is "anger at the stagnation of modern society."
The lyrics are actually based on westman8's own experiences, and he writes that the severity of slander and rumors is the same in both the real world and the online world, and that in the end, other people are other people, and he created the song with his own thoughts in mind that it is best for him to stick to his own way of life.
The song is based on a modern image of Stevie Wonder's Superstition, and since westman8 loves Rage Against the Machine in terms of anger towards society, he incorporates a slightly rap-like melody and a screaming style of singing.
Finally, the images were also created using AI, but they are just as the title suggests, and this is a work that was born miraculously, and I personally like it very much.
This is a song that I would like many people to listen to at their leisure, but some people may have a sensitive ear for it and may reject it, so I hope they will be open-minded and forgive me.
Yohei Nishi is a Japan based musician, songwriter, and producer, actively working from Fukuoka. Over the years, he has been involved in numerous music productions and songwriting projects for artists, earning a solid reputation among industry professionals for his hands on, practice driven approach. He is a former member of the happy rock band Black1Neck, which debuted as one of Fukuoka's top ranked bands. Currently, he is a member of the pop band balconny, where he serves not only as the bassist but also as the primary songwriter and sound architect, shaping the core musical identity of the band. His work is recognized for balancing strong melodies with groove oriented arrangements, earning deep trust within collaborative production environments. In 2025, he launched his solo project westman8, focusing on music production that integrates AI driven composition tools with human creativity. Rather than treating AI as a mere assistant, he explores a hybrid creative methodology that fuses authorship, emotion, and technology. This approach, blending nostalgia with contemporary sensibilities, has attracted growing attention from music industry professionals as a next generation music production model. Beyond music, Yohei Nishi is also the owner and executive of a family run company with over 100 years of history, giving him a rare dual perspective as both a creator and a business leader. Grounded in real world management and long term decision making, he brings a sustainable and practical viewpoint to creative innovation. Starting in 2026, he plans to expand his activities into educational seminars on AI powered music creation, sharing real production workflows, ethical considerations, and strategic applications of AI in the music industry. His work bridges music, technology, and society, positioning him as a practitioner who not only creates with AI, but also teaches how to implement it responsibly. In addition, he has served as a city goodwill ambassador for six years and remains active as a radio personality, continuously connecting music, media, and local culture. Through these multidimensional activities, he represents a new model of the modern creator, one who links artistic expression with technology, business, and community.