Kicking Pillows at Pine Mountain, Hayajiro's Dutiful Rescue of Wankyu / Morning Smoke, The Robe, and Prayers for the Afterlife Front Cover

Kicking Pillows at Pine Mountain, Hayajiro's Dutiful Rescue of Wankyu / Morning Smoke, The Robe, and Prayers for the Afterlife

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Inspired by Kikaine's "Wankyu Sue no Matsuyama" (1710), from the Taisho Kabuki play "Maboroshi Wankyu" (1925), written by Okamura Kakie.

"I am a servant who rises from the morning smoke. Though inconvenient, if I use a razor to cut a small piece from the center of the lining paper I'm leaving behind as a keepsake, I can wear a garment that covers my skin. This is a lifelong pursuit."

[Synopsis]
1. Wankyu's Debauchery and Confinement (Volume 1)
Wankyu falls in love with Matsuyama, a courtesan from Shinmachi, squandering the family's gold and silver.

His father, Kyuemon, and his assistant, Mataemon, take this seriously and try to remonstrate with Wankyu, but they refuse to listen, so they lock him in a "dashikiro" (private cell). Wankyu's mental health deteriorates as she struggles to cope with the pain of not being able to see Matsuyama and the disrespect he has shown her.

2. Matsuyama's Decision
Matsuyama learns that Wankyu has been disowned and imprisoned because of her.

She remains faithful to Wankyu, refuses to be swayed by other guests (such as Hayajiro Iro), and resolves to apologise to Wankyu by dying.

Matsuyama escapes from the brothel (or prepares to commit suicide) and attempts to find Wankyu.

3. Wankyu's Madness and Journey (Volume 2)

Having escaped (or perhaps been banished) from his prison cell, Wankyu loses his mind and wanders the streets in the shape of a "Tosaemon" (a beggar monk wearing a straw hat). He hallucinates Matsuyama and visions of people playing at teahouses, dancing madly (this is the famous scene known as "Wankyu's Madness"). He reunites with Matsuyama (or pursues a vision) around Shinmachi Bridge.

4. The Chivalrous Warrior, Iro Hayajiro
Matsuyama and Wankyu are about to commit suicide together, but then Iro Hayajiro, Matsuyama's customer, appears.

Although Hayajiro would normally consider Wankyu an "enemy" for stealing Matsuyama, his customer, he explains that "there are two things more important than life," and, moved by the two men's affection, he spares them or even helps them. (Note: Unlike Chikamatsu's "Wankyu," this work is notable for ending with the samurai Hayajiro's compassion.)

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