Sound Spiritualism Front Cover

Lyric

Childhood

Keiichiro Akamine

晴れ渡る空の青さとか

終わりゆく今日の赤さとか

子供の頃は目が覚めたら

何でも出来る気がした

こだまする5時半の合図

君の顔もボールもぼやけ

誰かが帰りを待つ香り

皆一斉に家へ帰る

誰も許し合える 言葉より確かに

今は歌い続けてるよ

何もここになくなる前に

今会いたい 大それていたいな

喜びも悲しみも全部

その分だけ終わりも訪れ

手に刻まれたしわの数が

認めてくれる気がした

手放すほど愛しくなり

手に持つほど見えなくなる

その温もりを感じたなら

何でも出来る気がした

誰も許し合える 言葉より確かに

今は歌い続けてるよ

何もここになくなる前に

今会いたい 大それていたいな

  • Lyricist

    Keiichiro Akamine

  • Composer

    Keiichiro Akamine

  • Producer

    Keiichiro Akamine

  • Recording Engineer

    Keiichiro Akamine

  • Mixing Engineer

    Keiichiro Akamine

  • Mastering Engineer

    Keiichiro Akamine

  • Guitar

    Keiichiro Akamine

  • Bass Guitar

    Robin Kinjo

  • Drums

    Keisuke Katsuyama

  • Vocals

    Keiichiro Akamine

  • Violin

    Takashi Komazawa

  • Choir

    Keiichiro Akamine

Sound Spiritualism Front Cover

Listen to Childhood by Keiichiro Akamine

Streaming / Download

  • 1

    Opening

    Keiichiro Akamine

  • 2

    I am a Realist?

    Keiichiro Akamine

  • 3

    Wonder Night

    Keiichiro Akamine

  • 4

    Japanese Nature

    Keiichiro Akamine

  • 5

    Greeting

    Keiichiro Akamine

  • 6

    Waltz of Greeting

    Keiichiro Akamine

  • ⚫︎

    Childhood

    Keiichiro Akamine

  • 8

    Sanshin and Okinawa (Vocal Version)

    Keiichiro Akamine

  • 9

    Ryukyu

    Keiichiro Akamine

  • 10

    Departure

    Keiichiro Akamine

  • 11

    Voyage

    Keiichiro Akamine

  • 12

    Ending

    Keiichiro Akamine

I believe that this album, "Sound Spiritualism," was brought to me as a result of encounters with many people.

I became fascinated with music in my late teens, listening to it obsessively, digging deep into the music that formed my artistic roots. I then sang, picked up the guitar, and wrote songs. For the past 15 years, music has been a part of my life, like breathing.

My previous album, "THE ORIGIN," released in 2020, was a groping debut album, collecting songs I wrote from my late teens to around 20 years old, and challenging myself with every step of the process.

On the other hand, my newly produced second album, "Sound Spiritualism," is a collection of songs I wrote from my late teens to late twenties, this time produced with the support of those around me.

I hope you can feel the heat from the still-green embers.

"Sound Spiritualism" is pronounced "Otodama" in Japanese.

I chose this word with the implication that it's not a sound that enters the ears, but a sound that reaches the heart.

The album jacket was created by artist Miku Shimomoto. She wrote the character "Ondama" (sound spirit) in calligraphy on washi paper. The red smiley face under my name was a suggestion from Shimomoto, who said the idea came from my approach to craftsmanship, where I value connections with people and the process. The red cross mark opposite represents the gods and the ancient Japanese spirit, and I included it because such spiritual aspects are also a main theme of this album. We worked on the album from different locations, with me in Okinawa and Shimomoto in the Kanto region, and all communication was done online. However, through careful coordination, I feel the result is a truly beautiful jacket.

Until now, I haven't provided detailed explanations of the production of my works, known as Self Liner Notes, for each piece.

But if there are even a few people who want to know the creative process, I would like to write them here as a record of that, as an expression of gratitude for being able to release a work, and as part of the work, not just as text that catches the eye but also as text that reaches the heart.

There are stories behind the creation of each song, so I hope you will read them while enjoying the work.

Artist Profile

Yanagida Records

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